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The Forsyte Saga Collection is a series of three novels and two interludes published by John Galsworthy. They chronicle the life of three generations of the Forsyte family, a wealthy upper middle class English family, in the turbulent years between the 1880s and the 1920s - a time period during which English society was completely transformed.
Only a few generations removed from their farmer ancestors, the family members are keenly aware of their status as "new money." The books are set against the great events of the day - the Boer War and WWI, the rise of Labour, the death of Queen Victoria, and much more.
The main character, Soames Forsyte, sees himself as a "man of property," by virtue of his ability to accumulate material possessions—but this does not succeed in bringing him pleasure.
Included in this collection:
- Book One: The Man of Property - In this first novel of the Forsyte Saga, detailing Soames Forsyte's desire to own things, including his beautiful wife, Irene Forsyte.
He's jealous of her friendships and wants that she should be his alone. He concocts a plan to move her to the country, away from everyone, but she resists his grasping intentions and falls in love with another....
- Interlude One: Indian Summer of a Forsyte - Delves into the newfound friendship between Old Jolyon Forsyte and Irene. This attachment gives Old Jolyon pleasure, but exhausts his strength. He leaves Irene money in his will with Young Jolyon, his son as trustee...
- Book Two: In Chancery - The marital discord of both Soames and his sister Winifred is the subject of the second novel ("Chancery" being a reference to the courts that deal with domestic issues). They take steps to divorce their spouses, Irene, and Montague Dartie respectively. However, while Soames tells his sister to brave the consequences of going to court, he is not willing to go through a divorce himself. Instead he stalks Irene...
- Interlude Two: Awakening - The subject of the second interlude is the naive and exuberant lifestyle of eight-year-old Jon Forsyte. He loves and is loved by his parents. He has an idyllic youth, his every desire indulged...
- Book Three: To Let--This conclusion to the epic Forsyte Saga. Second cousins Fleur and Jon Forsyte meet and fall in love, unknowing of their parents' past affairs, indiscretions, and misdeeds. Their forbidden love is discovered...
These are wonderful, well-written thrilling and vigorous novels. A must-have for classic epic romance story fans!
- Sales Rank: #179963 in eBooks
- Published on: 2009-03-16
- Released on: 2009-03-16
- Format: Kindle eBook
Most helpful customer reviews
47 of 50 people found the following review helpful.
Possession and Obsession
By Gary Severance
John Galsworthy (1867-1933) was a very popular writer at the turn of the 20th Century. He was the son of a wealthy lawyer and studied law at Oxford. He became a solicitor in 1890 but never practiced law. Instead he used his father's wealth to travel and learn about writing fiction from talented authors including Joseph Conrad.
In the Forsyte Chronicles, Galsworthy created the history of an extended family that begins in the Victorian era in Britain in the early 1800s, extends through the Eduardian Era in the latter decades of the 1800s, and ends after World War I during the British social and economic turmoil of the 1920s.
The Chronicles, now called the Forsyte Saga, is a trilogy of novels: The Man Of Property (1906), In Chancery (1920), and To Let (1921). The fist in the series sets the stage with wealth earned through the driving motivation of land ownership by the founding fathers of the Forsyte family. The actors on the stage have landed riches and establish social networks as cohesive as the royal family in England. Even their relationships are governed by the limits of ownership. Women are the property of their husbands and accept their roles with the reward of financial security.
In Chancery describes the continued accumulation of wealth of the family obtained through careful management of money increasingly independent of private property. There is an unwritten family rule of 4% return on all investments. Social conventions begin to change in the story with the problems brought on by allowing outsiders into the family's closed system through marriages. The women become somewhat rebellious refusing to accept many of the subservient roles that were accepted in the early generation Forsytes.
To Let traces the family's fortunes through the turn of the 20th Century as the newer generations begin to consume rather than generate family wealth. This is a time of social and legal conflicts for the family that disrupt the order of their traditional lives. The focus gradually changes to the youngest members of the family who, because of the devastating effects of the World War, believe that there is more to life than hoarding of riches, commodities that can disappear quickly. These Forsytes pursue artistic and social justice activities and use the family money to go their own ways. The 4% rule is not forgotten, but rather never known by the youngsters.
I first read the Forsyte Chronicles paperbacks in the early 1970s as a young man just out of the U. S. Army after the Vietnam War. I enjoyed reading and experiencing the stability of the family and social structure of British society in the novels, a real contrast to my life then in California. I identified with the last generations of Forsytes in To Let, focusing on their individual self actualizing choices.
After rereading the trilogy on my Kindle1, I now identify with the more conservative earlier generations of Forsytes described in The Man of Property and In Chancery. I appreciated the change of perspective as I approach retirement, and I gained insight through a life review by proxy. I can relate the work to other great generational novels depicting the turn of the 20th Century, such as Thomas Mann's Buddenbrooks.
The world is much more interactive now than it was in the Forsyte's mystical Great Britain, and social stress has taken on global proportions. But the activities of making a living, maintaining family stability, and attempting to reach personal satisfaction remain great themes for the turn of the 21st Century. I highly recommend the Forsyte saga to readers (especially Kindle readers) who will see that the endless cycles of social life continue and personal development is a product of these social rhythms.
27 of 28 people found the following review helpful.
Great Book for a Kindle
By Kindle Customer
This review discusses the Kindle reading experience rather than the contents which are well covered in the first reviews. This is a great book about possessiveness as both a constructive although mostly destructive force in human life. The length allows the author to show long term consequences and develop complex relationships.
There are a lot of characters and I highly recommend bookmarking and referring to the Forsyte Family Tree which is included at the back. After the chart is a character list with details about each major character. You can get to it through the Table of Contents.
I first read the Forsyte Saga when PBS ran the BBC dramatization in the 70s. I had a terrible time getting all the books in sequence. I am now re-watching the old series and re-reading the saga. This really shows how technology like DVDs and the Kindle changes how you read. This book is much more accessible than it was when you had to pull together nine books and if you missed a Sunday night, you had to wait years for a rerun.
19 of 21 people found the following review helpful.
A man of no property
By EA Solinas
Family secrets, dirty little problems, gambling, divorce, illegitimate babies and a dash of adultery, scandal and forbidden love. Soap opera?
Not exactly. It's Nobel Prize Winner John Galsworthy's sprawling family epic "The Forsyte Saga," a three-volume saga that spans the nouveau riche Forsyte clan, and the devastating events that threaten their ever-respectable facade. Galsworthy's lush writing and intricate, insightful stories are excellent on their own, but the dignified handling of 19th-century laws and mores -- and how they changed -- add an extra dimension to his writing.
The Forsyte family is determinedly regal and hard-nosed, almost to the point of a fault. And as the story begins, the Forsyte family has come together to celebrate June Forsyte's engagement to a young bohemian architect, Philip Bosinney -- except for June's father, who eloped with the governess and is now shunned by his family. Among the guests are the stuffy, domineering Soames Forsyte and his quiet, unhappy wife Irene -- though she conditionally agreed to marry him, she doesn't love him. But Soames regards Irene as his most valuable piece of property, even as she begins an ill-fated affair with Bosinney. At the same time, the patriarch Jolyon starts to kick off family disapproval, and goes to see his estranged son.
Soames' determination to "own" Irene leads to tragedy for all three of them, and Irene and Soames separate for the next decade. But when Soames demands a divorce so he can marry a French girl, he finds himself obsessed and stalking Irene once again. And as before, Soames' harassment drives his estranged wife into the arms of another man -- his disgraced cousin Young Jolyon. And even as Soames gains a new woman, he finds that you don't get everything you want...
A new complication enters the works almost two decades later -- Soames' daughter Fleur is immediately attracted to Irene's son Jon. The two start an innocent romance, unaware of their parents' past together, but still overshadowed by the loathing and shame Soames and Irene have for each other. An aristocratic suitor for Fleur, mysterious letters and a secret love affair all come to the surface, as Fleur and Jon discover that love isn't always enough to overcome the bitterness of the past...
The Forsyte Saga is indeed a saga -- it stretches from the stuffy Victorian era into the first bloom of the roaring twenties. Despite the early claim that Forsytes would never die, various characters age, die and weave new lives for themselves, and grapple with a rapidly changing world -- including the new rights for women as individuals, rather than "property."
The first part was written in a time before the world of England's upper crust changed forever -- sort of an English "Age of Innocence." And while Galsworthy's first trilogy can be seen as the story of an obsession, it can also be seen as the portrait of the Forsytes overall -- stuffy, gilded, and eager to forget the working class roots a few generations back.
Galsworthy paints this time in a flurry of lush, dignified prose , filled with slightly mocking notes about the Forsyte family, and tiny gestures and expressions that convey more than actual dialogue could ("Huddled in her grey fur against the sofa cushions, she had a strange resemblance to a captive owl") and lushly written descriptives ("... over the lush grass fell the thick shade from those fruit trees planted by her father five-and-twenty years ago").
As for the main characters of this drama, Galsworthy handles their passions and involvements delicately and with dignity. No soap opera dramatics -- just a married woman in love with her best pal's fiance, and who is raped by her angry husband. And then a realist's version of "Romeo and Juliet," if Romeo and Juliet's parents were exes and no suicides came into it.
Soames and Irene are really at the center of this book -- she remote, quiet and something of a mystery even to the readers, and he a selfish, close-minded man who wants to "own" people. Their children are far more endearing -- Fleur is passionate and vivacious, and Jon is sensitive and sweet. But there's a vast cast of interesting characters in the Forsyte family, especially melancholy Young Jolyon and his artistic daughter June.
Bitterness, obsession and love fill the pages of the "Forsye Saga," and provide the start of a truly classic trilogy of great novels.
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